The Ark Dolon

It is  our last day of practice. And we went to this place. The cultural center of 107 hectares, built on the initiative and idea of our president, consists of large structures – the regional musical drama theater with 700 seats, an amphitheater for 2,000 spectators, and the monument “Kohna and boqiy Bukhara” between them. The corridors, starting from different corners of the Cultural Center, are adjacent to the monument “Kohna and boqiy Bukhara”, which is 18 meters high. The monument was worked by the famous sculptor, Art figure of Uzbekistan Ilham Jabborov.

 Hello🤗. Our today's practice was on Modarikhon Madrasah. It was very attractful place for every of us. We exchange our ideas about this Madrasah   The patterns of the madrasah are mainly preserved in white, blue, blue, dark brown, and dark colors. The word "Allah" is written in Handasavi Kufic form on the upper pediment of Modarikhan madrasah. Above the gate of the madrasah there is an inscription on the tile in white letters.

Hello 👋. Our next trip was in the Khodja-Zayniddin Mosque. This Mausoleums were built mainly during the reign of the Temurids. Under the Shaybanids, the construction of mausoleums was prohibited, and they began to be built again only from the end of the 17th to the beginning of the 18th centuries. Not far from the mosque is the oldest hauz in Bukhara. The walls of the pool were lined with marble. At the stepped descent to the water there was a carved marble spillway in the form of an open dragon's mouth, decorated with ornament and epigraphy.

 In the centre of Bukhara to the west of the famous Lyabi Hauz square is located the oldest mosque in Bukhara – Magoki Attori – is located.Its construction in 714 is associated with the name of the Arab Sheikh, Governor of Khorasan, Qutayba Ibn Muslim – one of the first people who brought Islam to the territory of Central Asia. Even before the arrival of the Arabs to Bukhara, a bazaar was located on the site of the mosque, where before the establishment of Islam, Zoroastrian idols, medicinal herbs and spices – attoron – were sold. And in the beginning, this place was called Attoron Bazaar. There was also a cult Zoroastrian temple of the Moon.In order not to drown out the history of the area, the mosque, built on the site of the destroyed temple of the Zoroastrians, was named Magoki Attori.

 Jandi Turki Mausoleum is situated on Namozgoh Street, in the old city section of Bukhara, Uzbekistan.It is associated with one of the famous imams from Bukhara's history in the middle centuries, Turki Jandi. There is said to be a tombstone in the mausoleum located in the southern part of Bukhara.This mausoleum has been listed in the national registry of intangible cultural heritage sites in Uzbekistan.

  The mosque is built of straw, has a rectangular layout, and the total area is 15.1 x 12.4 m. The roof of the structure consists of 6 domes, their diameter is 2.5-2.9 meters. The main part facing the east side is built in a simple, porch style. The mosque has an undecorated room with two columns, the area of ​​which is 15 x 9 meters. A symbolic tomb made of white marble is placed in the center of this place. There is also a seat for pilgrims to sit and recite the Qur'an. On both sides of the room there is an open recess for a window, one larger and the other relatively small. The wall is plastered inside and outside with straw mud.

 The mausoleum of Hazrat Boboyi Poradoz is located in the southeast part of Bukhara, near the city gate of Salakhona. Here, in the early 20th century, there was a mazar with a complex of architectural structures (mausoleums, mosques, rooms for pilgrims, residential houses, wells). Now only the center of the mausoleum remains, where Boboyi Poradoz was once buried, and in his honor the whole mazar was named. Boboyi Poradoz was a scholar and sheikh, born in Bukhara in 842 and died in 925.

  Hazrat Sheikh Sayyid Muhyiddin Abdul Qadir Jiilani was born in 1079 AD (471 Hijri) in the village of Bashtir, Jiylan region of Iran, and died in 1166 AD (562 Hijri) in Baghdad, Iraq. Jiilani first studied under Abu Zakariyya Tabrizi. At the age of sixteen, he went to Baghdad and studied the science of kalam and hadith from the great scholars such as Abu Bakr ibn Muhammad, Abul Qasim ibn Ahmad ibn Bayan, Abu Talib ibn Yusuf. He learned jurisprudence from Ali ibn Abu Sa'id Mukhrumi. Ali ibn Abu Sa'id Mukhrumi wore the sheikh's kirqa. Returning to Baghdad, Abdulkadir Jiilani worked as a teacher at the madrasa. Jiilani preached for thirty-three years and taught talibi sciences. Shaykh Abdulkadir Jiilani is the founder of the "Qadiriya" order in Sufism, the propagator of the idea of "engagement and freedom" (let your mind be free from the world when you are busy with the world). Jiylani's books on the history of Islam, the theory of Sufism, morals, &quo

Hi everyone! 🤗 Today our second day of practice and we went to the Chor Minor. Chor Minor (Char Minar Uzbek: Chor minor), alternatively known as the Madrasah of Khalif Niyaz-kul, is a historic gatehouse for a now-destroyed madrasa in the historic city of Bukhara, Uzbekistan. It is located in a lane northeast of the Lyab-i Hauz complex. It is protected as a cultural heritage monument, and also it is a part of the World Heritage Site Historic Centre of Bukhara.[1] In Persian, the name of the monument means "four minarets", referring to the building's four towers. The structure was built by Khalif Niyaz-kul, a wealthy Bukharan of Turkmen origin in 1807 under the rule of the Manghit dynasty.

Hi guys 🤠.Today was our first day of practice. And we went to the Chor Bakr. Now I'm going to talk about this place. The complex Chor-Bakr contains the mosque, khanaka (Sufi cloister), madrasah, necropolis and a big orchard near Bukhara. Today the orchard abounds in planes, willows, poplars and different fruit trees – peaches, apple, pears, vineyards, flower gardens of roses. From the city gates to the garden for five kilometers along the road on both sides the canals, lined with trees, were dug. So Abdullah Khan, heading into Chor-Bakr Necropolis, was always in the shadow The facade walls of fencing and portals of Chor-Bakr Necropolis are decorated with figure masonry and mosaic inherent to those times. The south-eastern entrance is marked with portal and dome darvazakhana (confidential room). From here the viewpoint of ensemble is opening. The monument has perfect shapes and details. The halls of the mosque and khanaka are overlapped with cupolas. The interior is decorated with